Eugene Aleksandrova

Download Now Server 1 Download Now Server 3 Download Now Server 2 Styro is a family of modernist-style stencil fonts. There are eight weights available, ranging in color from Thin through Black. All of the typeface’s weights are virtually monospaced, and with each weight of the family, the outside ‘strokes’ building up the letterforms increase in thickness. Styro’s characters are very condensed, and their design employs a reductionist formal vocabulary. For example, the counter-forms are expressed by thin lines that run inside of the letters, from their tops to their bottoms. These ‘counters’ are optically of the same width as the spaces between each letter. Many of the fonts’ stroke terminals – like those on the top of the ‘a’ or on the bottom of the ‘g’ – are reduced to simple geometric shapes. Diacritic marks take the form of light thin lines, w

Download Now Server 1 Download Now Server 3 Download Now Server 2 Kihim in a single-weight display typeface. It is grid-based design – and a very decorative one at that. All of its letterforms are set on an extreme angle. The ‘tops’ and ‘bottoms’ of each stroke reflect that angle, giving the typeface a ‘rotalic’ feeling, as if each letterform was rotated clockwise. Designed by Hitesh Malaviya, Kilhim is his interpretations of the late artist Nasreen Mohamedi’s drawings and photographs. Through the interplay of light and shadows, her work explored the creation and consumption of form. It featured highly structured grids, just like this typeface. Her work achieved a unique level of abstraction, in which simple marks caused grids to form and deform. In her photography, she concentrated on sparseness and shapes. Physical space occupied by the body was

Download Now Server 1 Download Now Server 3 Download Now Server 2 VP Pixel Pro is designed to be the definitive standard for a pixel typeface. It combines a vast character set with advanced typographic features. This fresh take on the retro grid streamlines the pixel style for modern high-resolution screens. With over a thousand characters, it guarantees full support for over 200 languages, ensuring your work can be localised effortlessly in the future and translated into virtually any language that uses the Latin alphabet. All fonts in this family include upper case, lower case, and small capitals letters (as well as the Greek alphabet, multiple sets of numerals, a large set of punctuation marks, and other symbols). Many of today’s OpenType features are included, such as multiple vertical positions, diagonal fractional forms, a slashed zero